![]() This snare drum also features chrome-plated brass tube lugs, Remo heads and Pork Pies exclusive snare wires. The patina finish is done by hand exclusively at Pork Pie. If you want a totally green patina type finish then battery acid and salt water work well, also kitchen spray bleach will produce verdigris.Īndrew, I am interested in the handbook you refer to. Info from Pork Pie: This Brass Patina Pork Pie snare drum features all the cut, super low end and amazing sensitivity a brass snare can offer. I usually use something called Tourmaline solution similar to the product in the photograph. If the metal object can be removed, then a blast with a blow torch will give an instant colour change ! A safer method is 0000 steel wool or car cutting paste such as T cut. There are several products on the market that will do this from paint stripper to cellulose thinners. This has be removed before any colour change will take place. ![]() Some items will have been coated with lacquer to help maintain their bright appearance and to reduce oxidation. As Andrew states in his post the problem is not to contaminate the leather surrounding the work piece. ![]() Not many chemicals can, so make sure the ones you choose specifically have this capability.As an antiques restorer I have antiqued hundreds if not thousands of pieces of brass copper and bronze. Chose a patination mix that is designed to withstand outdoor environments. This will give finished pieces a traditional tone while helping blunt the impact of further, natural oxidation. Instead, use a paste wax similar to that applied to floors to protect your patina, then buff. Most patinators dislike lacquers, which can chip and peel over time. This makes subtle details far more apparent, and adds to the drama and depth of a piece. Often the best patina effects occur when coatings are removed from high spots and allowed to remain on low-lying areas. This will freeze patination exactly where you want. sniffed the air and said, 'Tim, you've been peeing on your buttons again. It’s crucial to rinse an item off in distilled water once it has reached the desired shade. Chemicals in the urine oxidized the brass, giving it the patina of buttons. After each immersion, an item should be checked to see if its color is approaching the preferred depth more immersions will create darker shades. Some patinators say it’s also a good idea to warm the items first, since metals seem to absorb chemicals better when heated. ![]() For Interiors:Ī series of short immersions in your patina solution will work better than long dunks. I’ve broken those steps down for both interior and exterior applications below. Also, many of the delicate colors that can be achieved simply couldn’t survive in an outdoor environment.Īnyone familiar with basic restoration techniques can probably tackle patination, if he or she follows a few basic steps. Though similar rules hold true for both applications, interior patination is more complex and subtle than that for exteriors, since the pieces frequently have intricate designs. Whether a feature is being restored or repaired, there are two distinct worlds of patination-interior and exterior. But most patina experts agree that nothing beats the natural colors created by the oxidation of common metals. And that’s good news for restorers, because there’s been a lot of metal polishing done in the years since the height of the period, not to mention the fact that new metal, whether it’s a switch plate or the copper sheen of a recently installed roof, could use a little “age.”Ī variety of solutions were and still are used to create patinas-everything from urine and wood shavings to sophisticated and incredibly toxic lead-based compounds. Much of the expertise and techniques of the Arts & Crafts era survive. In some cases, notes Manhattan-based jeweler, artist, and restorer Audrey Werner, they created designs with intricate details that were only visible when patinas were first applied and then removed in the high spots. The irony is that in the case of Victorian residences, the original owners would be horrified to see that their once shiny doorknobs, sconces, and window fittings are now a dull brown, and they’d immediately call for a maid armed with wax and brick dust, two of the period’s popular polishing tools.īut Arts & Crafts-era designers didn’t want gleaming hardware they wanted more natural, earthy tones. We expect to see patinas adorning historic homes simply because we’re dealing with old buildings on which the colors have naturally changed with age. That helping hand is the art of patination. And there’s a reality I’ve found as my wife and I move forward with the restoration of our home: Sometimes nature needs a hand to speed things up. ![]() There’s a word for the singular gift time bestows on so many materials: patina. Most patina experts agree that nothing beats the natural colors created by the oxidation of common metals. ![]()
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